    | Published: February 18, 2019 Category: historyRACHEL STRAUS A nostalgia for British conduct and customs is central to the song “An Englishman in New York” (1987). Created by the English popstar Sting and inspired by an afternoon of conversation with the eccentric English theater icon Quentin Crisp, the song’s most pointed lament is expressed in its refrain: “Oh, I’m an alien, […] Published: February 1, 2016 Category: profileBy Rachel Straus Pam Tanowitz is an ideal example of why we opted to call this column, which this month celebrates its seventh consecutive year, “New” Artist of the Month rather than “Young” Artist of the Month. We at MusicalAmerica.com believe in equal opportunity. Let’s hear it for late bloomers with unconventional career paths. […] Published: August 27, 2015 Category: historyBy Rachel Straus It is a rare teacher who develops a loyal following among ballet and modern dancers, but such was the case with Maggie Black (1930-2015) who died at age 85 in May on Long Island. This fiercely independent ballet teacher’s transformative effect on dancers’ abilities was famously dubbed “Black Magic” by none other […] Published: July 29, 2015 Category: profileby Rachel Straus When Loïe Fuller’s Chinese dancers enwound / A shining web, a floating ribbon of cloth, / It seemed that a dragon of air / Had fallen among dancers, had whirled them round / Or hurried them off on its own furious path— William Butler Yeats Like the American-born dance pioneer Loïe Fuller […] Published: March 1, 2015 Category: history By Rachel Straus Editor’s Note: Even though Merce Cunningham’s Biped, which is part of this year’s Spring Dances Repertory,was not created with his longtime collaborator John Cage, the work, made seven years after the composer’s death, is very much “in the spirit of their collaboration,” according to dance faculty member Rachel Straus. “It employs the […] Published: December 3, 2014 Category: profileBy Rachel Straus Thanks to Misty Copeland, gone are the days when a company dancer keeps her thoughts to herself and waits for the person in charge (usually a man) to give her the spotlight. The first Black, American Ballet Theatre soloist in more than two decades, Copeland has been increasingly vocal about two things: […] Published: March 1, 2014 Category: profileBy Rachel Straus The myth of the artist producing masterworks in isolation is one of many fantasies, and delusions, that haunt the creative process. Actually, works of art occur through the interaction of ideas and impulses. Think Stravinsky and Balanchine and their development of a neoclassical set of aesthetic values. Consider Wagner and Nietzsche and […] |
| Copyright © 2019 Rachel Straus – Dance Writer - All Rights Reserved Contact | Links | Legal Notices | Credits |
|