    | Published: August 3, 2012 Category: historyBy Rachel Straus Like the history of Jacob’s Pillow, the Royal Winnipeg Ballet’s evolution reads like a pioneer’s tale. Becket, Massachusetts and Winnipeg, Canada are not obvious places to build internationally hailed dance institutions. Yet in 1939, Gweneth Lloyd and her former pupil Betty Farrally formed the Winnipeg Ballet Club. A few years earlier, Ted […] Published: March 22, 2012 Category: profileBy Rachel Straus NEW YORK — In the age-old business of show business, technology is the emperor’s new clothes. But the Juilliard School’s upcoming Beyond the Machine concerts (March 29-April 1) use technology to create a newfound reality. Artists performing live in Tokyo, London and California will join colleagues performing live in the Rosemary and […] Published: December 27, 2011 Category: profileBy Rachel Straus NEW YORK — Before Merce Cunningham died at age 90 in July 2009, he had decided that his company would die with him, preceded by a two-year world tour. And so, after the grand finale performances Dec. 29-31 at the Park Avenue Armory, the company will be snuffed out. Its demise carries […] Published: August 24, 2011 Category: organizationBy Rachel Straus The PillowNotes series comprises essays commissioned from our Scholars-in-Residence to provide audience with a broader context for viewing dance. By the thousand slow revolutions of his body, he gives the appearance of a magician busy at obliterating the traces of his handiwork.— Jacques Rivière, “Le Sacre du Printemps” The best magicians, and […] Published: January 3, 2011 Category: profileBy Rachel Straus NEW YORK — New York City Ballet principal dancer Robert Fairchild, 24, has a favorite quote. It lives on his Facebook page, alongside information about his hometown (Sandy, Utah) and pictures of his new puppy (Griz). The quote comes from the television series “Friday Night Lights,” whose inaugural 2006 season coincided with […] Published: January 1, 2011 Category: profileIn a studio with garnet red walls that evoke a belle époque parlor, Valentina Kozlova coaches 16-year-old Veronica Verterich in the Grand Pas Classique. Kozlova danced Classique when it received its premiere with the Bolshoi Ballet. Now she is preparing her student, who will perform the solo in Moscow in two weeks’ time. Historic […] Published: June 1, 2010 Category: profileBy Rachel Straus It’s not enough to describe the work of choreographer Kyle Abraham as possessing chameleon charms. The 32-year-old dancer’s ability to instantaneously channel a hip-hop gangsta’s bravado, a cross dresser’s hyper-femininity, and an elderly person’s fragility feels real, as though he is these people. Abraham’s emotional identification with these characters gives […] |
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