    | Published: August 7, 2013 Category: profilePillowNotes by Rachel Straus The PillowNotes series comprises essays commissioned from our Scholars-in-Residence and others to provide audiences with a broader context for viewing dance. When Loie Fuller’s Chinese dancers enwound/A shining web, a floating ribbon of cloth,/It seemed that a dragon of air/Had fallen among dancers, had whirled them round/Or hurried them off on […] Published: August 3, 2012 Category: historyBy Rachel Straus Like the history of Jacob’s Pillow, the Royal Winnipeg Ballet’s evolution reads like a pioneer’s tale. Becket, Massachusetts and Winnipeg, Canada are not obvious places to build internationally hailed dance institutions. Yet in 1939, Gweneth Lloyd and her former pupil Betty Farrally formed the Winnipeg Ballet Club. A few years earlier, Ted […] Published: August 24, 2011 Category: organizationBy Rachel Straus The PillowNotes series comprises essays commissioned from our Scholars-in-Residence to provide audience with a broader context for viewing dance. By the thousand slow revolutions of his body, he gives the appearance of a magician busy at obliterating the traces of his handiwork.— Jacques Rivière, “Le Sacre du Printemps” The best magicians, and […] Published: September 2, 2010 Category: historyBy Rachel Straus When Dance by Lucinda Childs, Philip Glass, and Sol LeWitt premiered in Amsterdam in 1979, it drew immediate controversy. Glass heard one disgruntled audience member say, “This is not dance!” Others just hissed and booed. Given conventional expectations about dance performances in high art theaters, these responses weren’t surprising. It wasn’t the […] |
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