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Juilliard Dance
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Published: February 27, 2019
Category: review
By Rachel Straus, Musical America February 27, 2019
An appropriate subtitle to New York City Ballet’s “New Combinations” program—William Forsythe’s Herman Schmerman (1992), Justin Peck’s Principia (2019), and Kyle Abraham’s The Runaway (2018)—might be “Just Friends.” It’s a theme the company’s team of interim directors is trying to espouse as they seek […]
Published: October 14, 2015
Category: review By Rachel Straus
NEW YORK–New York City Ballet commissioned five ballets this season and four of them are compelling. It’s rare for City Ballet, or for that matter any dance company, to present new works that are overwhelmingly impressive. So there was much to celebrate on October 10 at the former New York State Theater […]
Published: October 9, 2013
Category: review
By Rachel Straus
Sara Mearns as Odette. Photo by Paul Kolnik.
On Sept. 17, New York City Ballet principal dancer Sara Mearns entered the pantheon of great interpreters of Swan Lake. Dancing the lyrical Odette (white swan) with elegiac grace, and the sharp Odile (black swan) with erotic hauteur, Mearns almost redeemed […]
Published: February 12, 2013
Category: review By Rachel Straus
NEW YORK — New York City Ballet has become the house of retrospection. Not only because of the Balanchine legacy, but also because some of its newest works are suffused with images of the past, delivering culturally conservative messages. Take Justin Peck’s third City Ballet work, Paz de la Jolla, which premiered […]
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