Rachel Straus - Dance Writer

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Juilliard Dance

 
Published: February 5, 2016
Category: review

At BAM: A Trisha Brown Masterwork, Perhaps for the Last Time

By Rachel Straus NEW YORK–In 1983 the Brooklyn Academy of Music launched the Next Wave Festival and commissioned the avant-garde choreographer Trisha Brown to make Set and Reset. Last week, the masterwork returned to BAM. With a score by Laurie Anderson titled Long Time No See (after its electronically sequenced lyrics), and sets by Robert []

Published: March 9, 2012
Category: review

Mark Morris Turns to Beethoven, Again

By Rachel Straus

NEW YORK — Mark Morris has turned to Beethoven for the fifth time with his “A Choral Fantasy,” which had its premiere last week at the Brooklyn Academy of Music. (I saw it March 2.) Danced to a (live) performance of the work of the same name, it is a playful, ironic and []

Published: December 27, 2011
Category: profile

The End of Modern Dance?

By Rachel Straus

NEW YORK — Before Merce Cunningham died at age 90 in July 2009, he had decided that his company would die with him, preceded by a two-year world tour. And so, after the grand finale performances Dec. 29-31 at the Park Avenue Armory, the company will be snuffed out. Its demise carries []

Published: November 1, 2011
Category: review

The Tortuous Perambulations of William Forsythe

By Rachel Straus NEW YORK — “Helloooooo! I’m the new neighbor,” roars tiny Dana Caspersen in a guttural voice that suggests a chain smoker on a regimen of straight bourbon. And so begins the darkly funny “I don’t believe in outer space,” William Forsythe’s 2008 dance theater work that made its New York premiere at []

Published: November 18, 2004
Category: review

The Appearance of Good Fortune: Pina Bausch at BAM

By Rachel Straus

In a white room the size of an airplane hangar, two men sit on a high table with their legs dangling several feet from the floor. One of the men tips his body and careens over the edge. Just before smacking his head against the ground, his friend, without glancing, snatches him by []

Published: October 21, 2004
Category: review

From Genesis to Apotheosis, in Time: Bangarra Dance Theatre of Australia

By Rachel Straus

In the beginning – according to the Bangarra Dance Theatre of Australia – there was movement. In “Bush,” artistic director Stephen Page and associate director Frances Rings create a dancing earth. During the 90-minute entertainment, which had its American debut Tuesday night, 11 dancers undulated and slithered back in time, telling nine Aboriginal []