
By Rachel Straus, Musical America February 27, 2019
An appropriate subtitle to New York City Ballet’s “New Combinations” program—William Forsythe’s Herman Schmerman (1992), Justin Peck’s Principia (2019), and Kyle Abraham’s The Runaway (2018)—might be “Just Friends.” It’s a theme the company’s team of interim directors is trying to espouse as they seek […]