Rachel Straus - Dance Writer

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Juilliard Dance

 
Published: April 21, 2016
Category: review

Miami City Ballet Gets it Right. Mostly

By Rachel Straus

NEW YORK–Miami City Ballet’s gala opening night (April 13), presented by the Joyce Theater at the former New York State Theater, offered what gala opening nights should offer: A taste of a company’s new and old repertoire, a best-foot-forward presentation of its stars and corps, and programming that leaves one hungry for []

Published: November 25, 2015
Category: review

Twyla Tharp's 50th: The Irony Is Passé

By Rachel Straus

NEW YORK–Twyla Tharp’s 50th anniversary tour made its final stop at the former New York State Theater, with a set of new works (seen Nov. 17) as performed by 13 fleet-footed, unique, virtuoso dancers. The experience totaled two hours, but it felt like more. The seven males and six females—some who have []

Published: June 17, 2014
Category: review

Everywhere We Go, We Go Together

NEW YORK–Justin Peck’s Everywhere We Go is a rolling canvas, inhabited by young professional dancers performing at their maximum capacity. Seen May 29 at the former New York State Theater, Peck’s newest work is set to a specially commissioned score by Sufjian Stevens, whose co-orchestrator, Michael B. Atkinson, was on the podium. Stevens’s music []

Published: April 18, 2013
Category: review

Nederlands Dans Theater, sans Kylián

By Rachel Straus

Nederlands Dans Theater’s brief visit (April 12-13) to the former New York State Theater was greeted with sold-out audiences and standing ovations. This was to be expected; the company hasn’t been seen in New York since 2004, and it has been much admired for its folk-inflected, ballet-meets-modern, kinetically charged romantic works by []

Published: April 6, 2013
Category: review

Paul Taylor Wows New York Audiences

By Rachel Straus

M. Trusnovec in “Sacre du Printemps (The Rehearsal).” Photo: Paul B. Goode

NEW YORK–Paul Taylor Dance Company’s second season at the former New York State Theater (March 5 to 24) exceeded expectations. With 21 works performed in three weeks by just 16 dancers, it would be only human for the troupe []

Published: February 8, 2012
Category: review

Ballet's Global Currency

By Rachel Straus

Like the 18th-century itinerant ballet masters who entertained and often taught aristocrats, choreographers Christopher Wheeldon, Alexei Ratmansky and Wayne McGregor crisscross the globe, creating dances for the world’s elite ballet companies and their audiences. On Jan. 28, New York City Ballet devoted an entire evening at the former New York State Theater []

Published: June 28, 2011
Category: review

A Near Century Later, Bournonville Thrives

By Rachel Straus

NEW YORK – Judging from its recent, six-performance visit to the former New York State Theater, the world’s third-oldest ballet company has lost none of its famous buoyancy. Not seen in Manhattan for 23 years, the Royal Danish Ballet still jumps as if dancing on a trampoline-lined stage. Which is all to []