    | Published: March 1, 2014 Category: profileBy Rachel Straus The myth of the artist producing masterworks in isolation is one of many fantasies, and delusions, that haunt the creative process. Actually, works of art occur through the interaction of ideas and impulses. Think Stravinsky and Balanchine and their development of a neoclassical set of aesthetic values. Consider Wagner and Nietzsche and […] Published: December 17, 2013 Category: reviewBy Rachel Straus VIENNA—The former Paris Opera Ballet Étoile Manuel Legris took the reigns of the Vienna Staatsballett in 2010, infusing a company that had developed a reputation for being a ballet museum with a shot of 21st-century dancing adrenalin. Legris’s modernizing hasn’t bruised his financial support: the Staatsoper budget for opera and ballet is […] Published: September 2, 2010 Category: historyBy Rachel Straus When Dance by Lucinda Childs, Philip Glass, and Sol LeWitt premiered in Amsterdam in 1979, it drew immediate controversy. Glass heard one disgruntled audience member say, “This is not dance!” Others just hissed and booed. Given conventional expectations about dance performances in high art theaters, these responses weren’t surprising. It wasn’t the […] Published: January 27, 2005 Category: reviewBy Rachel Straus Jacqulyn Buglisi’s new dance “The Conversation” rushes forward with a turbulent energy comparable to nature’s brute force. The choreographer’s 11-year-old company Buglisi Foreman Dance, which she co-directs with her husband Donlin Foreman, has always focused on producing works that seethe with physical foreboding. What comes as a surprise in Ms. Buglisi’s new […] |
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