    | Published: October 20, 2016 Category: reviewBy Rachel Straus, MusicalAmerica.com October 20, 2016 Shantala Shivalingappa. Photo by Hector Perez There is a popular saying that “dance is a universal language.” This statement raises eyebrows among dance anthropologists. They argue that dance is a language, like any other, and it needs to be studied in order to be understood. That argument […] Published: April 18, 2013 Category: reviewBy Rachel Straus Nederlands Dans Theater’s brief visit (April 12-13) to the former New York State Theater was greeted with sold-out audiences and standing ovations. This was to be expected; the company hasn’t been seen in New York since 2004, and it has been much admired for its folk-inflected, ballet-meets-modern, kinetically charged romantic works by […] Published: June 20, 2012 Category: reviewBy Rachel Straus BERLIN — The story of Dido & Aeneas has long been popular among contemporary choreographers. In 1989, Mark Morris created his Dido and Aeneas to Purcell’s late 17th-century opera. In 1999, Pina Bausch’s O Dido employed nothing of the opera score, but incorporated the myth’s water imagery. Choreographer Sasha Waltz […] Published: August 1, 2011 Category: historyBy Rachel Straus On the brink of World War II, German choreographer Kurt Jooss arrived in New York with his company to perform. Before curtain, Jooss learned that some black audience members had been barred from their seats. Jooss told the theater administration that unless they amended their whites-only policy, there would be no […] Published: November 18, 2004 Category: reviewBy Rachel Straus In a white room the size of an airplane hangar, two men sit on a high table with their legs dangling several feet from the floor. One of the men tips his body and careens over the edge. Just before smacking his head against the ground, his friend, without glancing, snatches him […] |
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