Rachel Straus - Dance Writer

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Juilliard Dance

 
Published: November 6, 2018
Category: review

NY City Center Balanchine Tribute Raises Questions about Choreographic Continuity

By Rachel Straus

Tributes to historic masterpieces and their creators are a tricky business. In dance, the choreographer and original dancers with whom he or she created the piece are long gone. What has been passed on inevitably undergoes changes from the original, sometimes seismic ones. So rather than catering to nostalgia, the curators of []

Published: October 30, 2013
Category: review

Is Wayne McGregor for Real?

By Rachel Straus

LONDON–When a dance work is purported to derive from a series of digital images, is the dancing qualitatively different? The short answer is no. But thinking about this question was the most interesting part of watching Wayne McGregor’s Atomos, which had its world premiere (Oct. 9-12) at London’s Sadler’s Wells Theatre.

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Published: April 19, 2012
Category: review

Dances in Darkness

By Rachel Straus

NEW YORK – Two recent dance events spoke more of doom and gloom than the earthly delights of cherry blossoms and daffodils that have accompanied the start of springtime in New York. In Jirí Kylián’s Last Touch First, viewed April 10 at the Joyce Theater, the Czech choreographer, known for his acclaimed []

Published: February 8, 2012
Category: review

Ballet's Global Currency

By Rachel Straus

Like the 18th-century itinerant ballet masters who entertained and often taught aristocrats, choreographers Christopher Wheeldon, Alexei Ratmansky and Wayne McGregor crisscross the globe, creating dances for the world’s elite ballet companies and their audiences. On Jan. 28, New York City Ballet devoted an entire evening at the former New York State Theater []