Rachel Straus - Dance Writer

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Juilliard Dance

 
Published: February 11, 2019
Category: review

City Ballet Honors Its Famed Collaborators

By Rachel Straus, Musical America February 11, 2019

The components of the Balanchine-Stravinsky Greek-themed trilogy Apollo (1928), Orpheus (1948) and Agon (1957) are infrequently seen together, perhaps because the middle ballet is not an outright crowd pleaser. But the sum of the whole is greater than its parts. Seen side by side, these works provide []

Published: February 12, 2015
Category: review

Justin Peck's 'Rōdē,ō: What Would Agnes Say?

By Rachel Straus

NEW YORK — It was as if the feisty spirit of Agnes De Mille had cast a wicked spell. De Mille, whose ballet first brought Copland’s Rodeo to life in 1942, would not have looked kindly on Justin Peck’s decision to make an abstract dance on that classic score. And so when []

Published: February 12, 2013
Category: review

At City Ballet, ‘New’ Is Hardly New

By Rachel Straus

NEW YORK — New York City Ballet has become the house of retrospection. Not only because of the Balanchine legacy, but also because some of its newest works are suffused with images of the past, delivering culturally conservative messages. Take Justin Peck’s third City Ballet work, Paz de la Jolla, which premiered []

Published: September 24, 2012
Category: review

New York City Ballet Fetes Stravinsky/Balanchine

By Rachel Straus

Photo by Paul Kolnick: Robert Fairchild in “Apollo”

NEW YORK – Opening night of New York City Ballet’s fall season on Sept. 18 launched the company’s two-week homage to the groundbreaking collaboration between Stravinsky and legendary choreographer George Balanchine.

The season runs through Sept. 30, with twelve Balanchine ballets to []

Published: May 17, 2012
Category: review

Wheat 1, Chaff 2 at New York City Ballet Gala

By Rachel Straus

NEW YORK — New York City Ballet titled its spring gala on May 10 “À la Française, ” and indeed it was, with all of the works having French connections of one sort or another. French composer Marc-André Dalbavie’s Trio No. 1 (2009) was Ballet Master-in-Chief Peter Martins’ choice of score for []

Published: May 10, 2011
Category: review

A New Apollo: Chase Finlay of New York City Ballet

By Rachel Straus

There is no better way to anoint a rising City Ballet male star than to award him the title role in Balanchine’s “Apollo.” On May 5 corps dancer Chase Finlay hit the big time, receiving curtain calls and roars of applause. The 21-year-old looked like a young Nordic god (much the []