Rachel Straus - Dance Writer

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Juilliard Dance

 
Published: February 27, 2019
Category: review

“New Combinations” Signals an Attempt for a New Image

By Rachel Straus, Musical America February 27, 2019

An appropriate subtitle to New York City Ballet’s “New Combinations” program—William Forsythe’s Herman Schmerman (1992), Justin Peck’s Principia (2019), and Kyle Abraham’s The Runaway (2018)—might be “Just Friends.” It’s a theme the company’s team of interim directors is trying to espouse as they seek []

Published: February 11, 2019
Category: review

City Ballet Honors Its Famed Collaborators

By Rachel Straus, Musical America February 11, 2019

The components of the Balanchine-Stravinsky Greek-themed trilogy Apollo (1928), Orpheus (1948) and Agon (1957) are infrequently seen together, perhaps because the middle ballet is not an outright crowd pleaser. But the sum of the whole is greater than its parts. Seen side by side, these works provide []

Published: May 17, 2012
Category: review

Wheat 1, Chaff 2 at New York City Ballet Gala

By Rachel Straus

NEW YORK — New York City Ballet titled its spring gala on May 10 “À la Française, ” and indeed it was, with all of the works having French connections of one sort or another. French composer Marc-André Dalbavie’s Trio No. 1 (2009) was Ballet Master-in-Chief Peter Martins’ choice of score for []