Rachel Straus - Dance Writer

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Juilliard Dance

 
Published: May 31, 2016
Category: review

ABT's Symposium Raises Ratmansky's Bar Even Higher

By Rachel Straus

NEW YORK—The American Ballet Theatre, now at the Metropolitan Opera House to July 2, is devoting entire evenings to the choreography of Alexei Ratmansky, its artist-in-residence since 2009 and arguably the most revered ballet maker of the decade. With the premiere of his Serenade after Plato’s Symposium, set to and named after []

Published: April 21, 2016
Category: review

Miami City Ballet Gets it Right. Mostly

By Rachel Straus

NEW YORK–Miami City Ballet’s gala opening night (April 13), presented by the Joyce Theater at the former New York State Theater, offered what gala opening nights should offer: A taste of a company’s new and old repertoire, a best-foot-forward presentation of its stars and corps, and programming that leaves one hungry for []

Published: April 17, 2016
Category: review

90 Years of the Martha Graham Dance Company

By Rachel Straus

The Martha Graham Dance Company’s 90th anniversary season (April 14-18) at New York City Center opened with Graham’s Night Journey (1947) and closed with her Cave of the Heart (1946). In between these masterworks, about Greek tragedy heroines, was a world premiere by the experimentalist Marie Chouinard and the last proscenium work []

Published: April 5, 2016
Category: review

Paul Taylor Dancers Successfully Complete Extended Marathon

By Rachel Straus

NEW YORK–In its fourth season at the former New York State Theater and its second under a new name, Paul Taylor’s American Modern Dance completed its marathon three-week run April 3. One of the last full-time troupes presenting a mid-20th century modern dance ethos, PTAMD dancers deserve medals for stamina. They achieved []

Published: March 4, 2016
Category: review

Pacific Northwest Ballet's Stunning Emergence

By Rachel Straus

NEW YORK–Pacific Northwest Ballet’s most intriguing work on its “Contemporary Innovators” program at New York City Center was Crystal Pite’s Emergence. Made in 2009 for the National Ballet of Canada, wonderfully performed by 37 PNB dancers, and set to a dark, pulsing electronic score by Owen Belton, the ballet is a rarity. []

Published: February 5, 2016
Category: review

At BAM: A Trisha Brown Masterwork, Perhaps for the Last Time

By Rachel Straus

NEW YORK–In 1983 the Brooklyn Academy of Music launched the Next Wave Festival and commissioned the avant-garde choreographer Trisha Brown to make Set and Reset. Last week, the masterwork returned to BAM. With a score by Laurie Anderson titled Long Time No See (after its electronically sequenced lyrics), and sets by Robert []

Published: February 1, 2016
Category: profile

Musical America Artist of the Month: Pam Tanowitz

By Rachel Straus

Pam Tanowitz is an ideal example of why we opted to call this column, which this month celebrates its seventh consecutive year, “New” Artist of the Month rather than “Young” Artist of the Month. We at MusicalAmerica.com believe in equal opportunity.

Let’s hear it for late bloomers with unconventional career paths. []

Published: December 15, 2015
Category: profile

Rocío Molina, Flamenco Dance Artist

By Rachel Straus

This year, flamenco dancer/choreographer Rocío Molina earned the U.K.’s Olivier Award for Outstanding Achievement in Dance for Bosque Ardora (Ardent Forest), a 2014 work that puts her in a league with pioneering female choreographers Pina Bausch and Martha Graham. In it, Molina takes a scalpel to the socialization of women by exploring []

Published: December 9, 2015
Category: review

New Ailey Work Paints a Terrifying Dystopia

By Rachel Straus

NEW YORK–The long-awaited new work for the Alvin Ailey American Dance Theater by Robert Battle, who took the artistic helm of this renowned company in 2011, did not disappoint. Awakenings, which premiered on Dec. 4 at New York City Center, begins as feverishly as it ends. The work’s intensity is typical Ailey. []

Published: November 25, 2015
Category: review

Twyla Tharp's 50th: The Irony Is Passé

By Rachel Straus

NEW YORK–Twyla Tharp’s 50th anniversary tour made its final stop at the former New York State Theater, with a set of new works (seen Nov. 17) as performed by 13 fleet-footed, unique, virtuoso dancers. The experience totaled two hours, but it felt like more. The seven males and six females—some who have []